Rodney Waterman, Musician

Published November 30, 2004 — 200 entries; no recordings added since 2004

The idea to compile this list came about when I wrote an obituary for Fred Morgan after his tragic death in April 1999 where I claimed that his recorders ‘feature on hundreds of recordings’. I decided to put this assertion to the test. This is what I found, with the help of many collaborators internationally, until November 2004. Wherever possible I also acknowledged other instrument makers. I hope this discography may ultimately enrich the overall quality of information about recorded recorders* and recorder makers, and it certainly stands as a record of how highly Australian maker Fred Morgan’s instruments were regarded internationally.

Thanks to all who contributed to this list in that four year period (1999-2004) – Lorenzo Cavasanti, Sabine Haase-Moeck, Marijke Van Campenhout, Judith Linsenberg, Chris Short, Maurice Steger, Alan Davis, Nicholas Lander, Frode Thorsen, Sascha Mommertz, Dan Laurin, Barthold Kuijken, Heinz Ammann, Robyn Mellor, Nick Horn, Thomas Braatz, Lorenzo Lio, Ros Bandt, Ruth Wilkinson, Markus Zahnhausen, Jürgen Scheer, Evelyn Nallen, Thiemo Wind, Katja Beisch, Andrea Guttmann, Owen Watkins, James Harris, Robert Ehrlich, Kees Boeke, Camilla Soederberg, Jeanette Hajncl, Valeria Bittar, Genevieve Lacey, Sally Melhuish, Alexandra Reuter, John Terrell, Monica McTaggart, Vicki Boeckman, Pamela Thorby and Zana Clarke. I wish to especially thank Fred’s wife, Ann Morgan, for allowing me access to the Morgan family record collection.

I completed this discography in 2004. Regarding instruments attributed to Fred, I included only instruments made by and/or voiced by him, e.g. the two alto recorders – listed entries 1 and 9 – were made by Joanne Saunders when she was working as an apprentice for Fred, and both instruments were voiced with his assistance. A few entries were speculative (i.e. to be released). A few recordings listed here were not commercial releases.

I estimate that Fred Morgan produced about 900 recorders between 1972 and 1999. This list of 200 recordings provides a valuable record of those who recorded on Morgan instruments up until 2004, and tells a great story about the recorder and the wonderful instruments made by an exceptionally talented, world class Australian craftsman. There will be without doubt some recordings that I missed, and of course musicians continue to record with his instruments. Wooden instruments are susceptible to physical change. As Morgan’s instruments age in the decades since his death, the quality of maintenance and servicing by other instrument makers becomes a critical factor in sustaining the quality of sound. After 40 years, I have recorders of his that have never needed to be re-voiced, while others have needed attention.

The list may contain some small errors of detail or wrong assumptions about some instruments used. Please contact me if you have any amendments to make, no matter how small.

Note:

· All entries are CDs unless indicated as an LP or Cassette

· All recorders by Fred Morgan (FM) unless otherwise indicated

· ?  A question mark indicates the highly probable use of Morgan recorder

* The most comprehensive international data base of recordings featuring the recorder can be found on Nicholas Lander’s Recorder Home Page. Here is the direct link: Recorded Recorders Database (currently available 25.06.24 as a Google Sheets Table only).

(text last edited / revised May 10, 2025)

FRED MORGAN — DISCOGRAPHY

Performers	Recording Identification	Recorders
1. Adelaide Baroque: Tessa Miller, soprano, Lynton Rivers, recorders, Lesley Lewis h/c	Musica da Camera AB001 (1999)	Voice flute in d’ after Bressan (boxwood), Alto after Denner in f’ – Jo Saunders, voicing by FM.
2. Amsterdam Baroque Orchestra (Ton Koopman), Ricardo Kanji, Reine-Marie Verhagen (recorders)	J.S. Bach, Brandenburgische Konzert 5-6-2 Erato 2292-45374-2 (1985)	?
3. Amsterdam Loeki Stardust Quartet	Baroque Recorder Music (Bach J. S., Sweelinck, Purcell, Boismortier, Locke, Scheidt) L’oiseau-Lyre 421 130-2	Alto recorder in f’ after Bressan, Daylesford 1972 [sic – FM didn’t move to Daylesford until 1975] and 1979
4. Amsterdam Loeki Stardust Quartet	The Art of Fugue Channel Classics CCS 12698	Soprano in c´´ after Bressan, Fourth flute in b´flat after Bressan, Third flute in a´ after Bressan, Alto in f´ after Bressan, Alto in f´ after Denner, voice flute in d´ after Bressan
5. Amsterdam Loeki Stardust Quartet & Kees Boeke	The Image of Melancolly, Anthony Holborne Channel Classics CCS 2891 (1991)	“Recorded recorders build (sic) by Bob Marvin and Fred Morgan”, including Morgan Ganassi soprano in c’’ for solo Lacrime (Boeke).
6. Amsterdam Loeki Stardust Quartet, The Academy of Ancient Music (C. Hogwood)	Concerti di flauti (Telemann, Heinichen, Marcello, Schickhardt, Vivaldi) L’Oiseau-Lyre 436 905-2 (1994)	Alto recorders in f’ after Bressan, 1972 und 1973; alto in f’ after Denner (other recorders by Friedrich von Huene, Martin Skowroneck, Yamaha
7. Anima – Isa Taube (voice), Ivan Vilela (Brazilian ten string guitar), João Carlos Dalgalarrondo (percussion), José Eduardo Gramani (Brazilian fiddles), Luiz Henrique Fiaminghi (Brazilian fiddles), Patricía Gatti (harpsichord), Valeria Bittar (recorders).	Espiral do tempo (European early music and popular/orginal Brazilian fusion) MCD 022 (MCD World Music) (1997)	Recorders: hand fluit by Helge Stiegler (1985) after ‘van Eyck’ type ca. 1647, Ganassi by Abel Vargas, São Paulo Brazil 1993, baroque alto by FM (1980) after Denner ca. 1700.
8. Anima – Isa Taube (voice), Paulo Freire (Brazilian ten string guitar), João Carlos Dalgalarrondo (percussion), Luiz Henrique Fiaminghi (Brazilian fiddles), Patricía Gatti (harpsichord), Valeria Bittar (recorders).	Especiarias (European early music and popular/orginal Brazilian fusion) MCD 070 (MCD World Music) (2000)	Recorders: hand fluit by Helge Stiegler (1985) in c’’ after ‘van Eyck’ type ca. 1647, Ganassi by Abel Vargas, São Paulo Brazil 1993, baroque alto by FM (1980) after Denner ca. 1700
9. Bandt, Ros	Stargazer MD 3075	A440 Alto in f’ (Jo Saunders, voiced by FM) ~1986 [Saunders ‘dolphin’ and Morgan ‘cross’]
10. Bergen Barokk: Frode Thorsen, recorder Hans Knut Sveen, harpsichord & organ Markku Luolajan-Mikkola, cello, Eero Palviainen, lute	Sonatas by Francesco M. Veracini and F. Barsanti, Simax Classics, PSC 112263.40 (1996)	Treble in f’ after Stanesby
11. Bergen Barokk: Mona Julsrud, soprano Frode Thorsen, recorder Hans Knut Sveen, harpsichord, Markku Luolajan-Mikkola, ‘cello	The lonely shepherd, Cantatas by Pepusch. Instrumental interludes by Finger, Paisible, Purcell, Blow BIS CD 965	Treble in f’ after Stanesby and voice flute in d’ after Bressan/Stanesby.
12. Boeckman, Vicki — ”Opus 4” (Vicki Boeckman, recorders), Dorte Lester Nauta (recorders), Mogens Rasmussen (viola da gamba), Viggo Mangor (archlute)	“Baroque Trio Sonatas” Trio Sonatas from the 17th & 18th centuries by Handel, Telemann, Merula, Stradella, Uccellini & Sammartini for two recorders and basso continuo. Paula PACD 64(1991)	Alto recorders after Denner by FM (1990) and R.Kanji, Soprano recorders after Ganassi by FM (1991) and R. Kanji, soprano recorders after Terton by G. Klemisch
13. Boeckman, Vicki (recorders) Finn Hansen (V.d. gamba) Lars Ulrik Mortensen (Harpsichord)	Early Italian Baroque (Frescobaldi, Castello, Fontana, Merula, Cima) Kontrapunkt 32059	Ganassi in c’’ (1991), Ganassi in g’ (1988). Ren. type tenor in C, Adrian Brown (1989), Terton soprano in c’’ Guido Klemisch (1982)
14. Boeckman, Vicki (recorders), Dorte Lester Nauta (recorders), Mads Johansen and Svend Melbye (traversi), Mogens Rasmussen and Finn Hansen (viola da gambas), Viggo Mangor (archlute), Allan Rasmussen (harpsichord)	“Flute Music from the Baroque”, Trio Sonatas and Quartets by Telemann, Quintett by Loeillet & trio sonata by Quantz. [“Kurt Zieners Minde”  (In Memory of Kurt Ziener)] Primavera PVCD 9601 (1996)	Bressan altos in f’ (1995) Bressan voice flutes in d’ (1996)
15. Boeckman, Vicki (recorders), Dorte Lester Nauta (recorders), Mogens Rasmussen (viola da gamba), Viggo Mangor (archlute and chamber organ) — “Opus 4”	“Aires and Duets for 2 Flutes and Bass”,Trio Sonatas from the 17th & 18th centuries by Handel, Telemann, G.B. Braun, Rossi & Merula for descant and treble recorders and basso continuo.  Primavera (1998)	Ganassi alto in g’ (1988), Denner alto in f’ (1990), Bressan altos in f ‘ (1995) Ganassi soprano in c’’ (1991)
16. Boeckman, Vicki (recorders), Gertie Johnsson (recorders), Pia Brinch Jensen (recorders) — Wood’N’Flutes	Journey (Edel – Kadanza Classics) Seven Centuries of Recorder Music KAD48130-2 (2001)	Altos in f’ after Bressan (1995, 1996), alto in f ‘ (a440) after Denner (1998), Alto in g’ ‘after’ Ganassi (1988), soprano in c’’ after Ganassi (1992). Renaissance basset in F, bass in C, Kontrabass in F by Ture Bergström. Renaissance tenors in C and basset in F by Thomas Prescott. Alto in f’ by Hans Coolsma. Alto in f’ after Denner by David Coomber. Keyed tenor in C (a440) by F. Von Huene. Square bass by Herbert Paetzold.
17. Boeckman, Vicki (recorders), John Holloway (violin), Jaap ter Linden (‘cello and viola da gamba), Lars Ulrik Mortensen (harpsichord), Aloysia Assenbaum (organ)	“G.P.Telemann, Trio Sonatas with Recorder” Classico CLASS CD 325 (2000)	Bressan alto in f ‘ (1995), Denner alto in f’ (1990), Denner alto in f’ by F. von Huene
18. Boeke, Kees (recorder, vielle)	MONODIA, solo medieval music (Thomas Aquinas, Heinrich Frauenlob, anonimo italiano, Guillaume de Machaut, Gherardello, Lorenzo Masini).  “This disc is dedicated to the memory of Fredrick Morgan”                           Stradivarius STR 335702000	Ganassi soprano in c’’, Ganassi alto in g’, Ganassi ivory alto in g’ (all 1978/79). Actual sleeve credits: Flauti: tenore “medievale” – Fulvio Canevari, tenore cilindrico “Rafi” – Francesco LiVirghi, contralto “Ganassi” in sol (avorio) – Fred Morgan, contralto “Ganassi” in sol (acero) – Fred Morgan soprano “Ganassi” in do – Fred Morgan, viella tenore – Fabio Galgani
19. Boeke, Kees and Walter van Hauwe (recorders)	Virtuose Kammermusik, Duets for Recorders (Morley, Telemann, van Eyck, Hotteterre) Teldec 6.42522 AP1980LP	Morley: 2 Sopranos (Ganassi ?) by FM 1978, Ganassi g’ alto by FM 1979, 2 Tenors in c’ by Friederich von Huene, 1976, Bassetblockflöte, Moeck 1978 Telemann: 2 Sopranos by FM 1979 (A415), 2 Altos after Bressan by Hans Coolsma (A415). Van Eyck: Ganassi g’ alto by FM 1979, soprano in c’ (Ganassi?) by FM 1978, traverso by Friederich von Huene 1975, Tenor in c’ by Friederich von Huene, 1976. Hotteterre: 2 Altos in f’ by FM 1976 after Bizey (A392)
20. Brüggen, de Vries, Bylsma, Leonhardt (Boston Museum Trio)	Telemann: 12 Sonate Metodiche SB2K 63182	Voice flute in d´
21. Brüggen, Frans	Corelli Sonaten Op 5 Nos 7-12 “La Follia” RCA RD71055 (CD?) RCA (Seon) RL 30393 (LP)(1980)	Bressan alto in f’ Melbourne/Amsterdam 1979
22. Brüggen, Frans	Telemann, Georg Philipp: 6 Sonate Metodiche GD 71957	Voice-flute, Melbourne 1980
23. Brüggen, Frans	Frans Brüggen (Bach, Handel, Hotteterre, Mozart) RCA (Seon) RL 30333 (2LPs)	Alto in f’ (A392) after Bizey (Hotteterre)
24. Brüggen, Frans	Frans Brüggen spielt Vivaldi, Bach, Händel, Hotteterre. RCA (Seon) VL 30384 (1980) LP	Hotteterre: FM Altos after Bizey A392 Bach Sonata A-dur: Traverssflöte I. Schierer 1773, Bach Brandenburg 4: Altos by Coolsma and von Huene (1968 and 1974), Vivaldi Concerto Nr 1 in F: Alto by Jan Steenbergen (first half 18th Century)
25. Brüggen, Frans (recorder and tranverse flute)	Frans Brüggen, Encore! Zugabe! Bis! (Solos by Bach, Marchetti, Andriessen, Rebel, van Eyck, anon, Virgiliano, Purcell, Moser, Boismortier, Heberle, Ortiz) RCA (Red Seal) RL 30769 (1980/81) LP	Ganassi in g’ (Virgiliano)— others?
26. Brüggen, Frans, Kees Boeke, Walter van Hauwe	French Recorder Sonatas (Ph. de Lavigne, J. B. de Boismortier, A. Danican Philidor, L.-A. Dornel, F. Couperin) Frans Brüggen Edition Vol. 7 Teldec 4509-97469-2	Alto recorder in f’ after Bizey
27. Brüggen, Kuijken, Gruskin, Kweksilber	Hotteterre, Premier Flûtiste Francais SB2K 62942	Recorders in f´ after Bizey
28. Brüggen, Leonhardt, Bylsma	Bach: Complete Sonatas & Partitas GD 71964 (2)	Alto f´ after Bizey
29. Cambridge Musick, The	Handel: The Recorder, Violin and Viola da gamba Sonatas Globe GLO 6032	Alto recorder in f after Bressan
30. Camerata Moderna	Palimpsest (Frescobaldi, Marais, Ruoff, Rossi, Merula, Rebel, Schmidt-Mechau, De Visée) R&M 2-1023	Soprano recorder, Daylesford 1991; alto recorder in g’, Daylesford 1991; alto recorder after Debey, Daylesford 1974; alto recorder after Denner, Daylesford 1990; voice flute after Bressan, Daylesford 1990
31. Camerata Moderna (Ulrike Volkhardt, recorders)	Jacquet de la Guerre: Sonatas MDG 605 0807-2(1998)	Soprano recorder after Terton (1997), Alto after Denner/Bressan, (1990), voice-flute after Denner (1990)
32. CANTICA SYMPHONIA, Laura Fabris soprano, Giuseppe Maletto – Fabio Furnari tenors, Marco Scavazza baritone KEES BOEKE, musical direction (and recorder, fiddle, vielle), GIUSEPPE MALETTO, director	MISS ÆGUILLAUME DUFAY (1397 ca. – 1474)   Stradivarius STR 33569 (2000)	Ganassi Alto in g’ (maple)
33. Cantigas (Zana Clarke, recorders)	Courts In Colour Move Records MD 3177	Voice Flute in d’ by FM, ganassi in g’ by M. Grinter
34. Cantigas, Zana Clarke (recorders)	Traveller’s Tapestry Move MD 3153 (1994)	Voice Flute in d’ by FM, Ganassi in g’ by M. Grinter
35. Cantigas, Zana Clarke (recorders)	Silk and Spice MD 3137	?Voice Flute by FM (1991), Ganassi g’ alto by M. Grinter (1989)
36. Canzoni Cœlln, Lucia Mense (recorders), Antje Plieg-Oemig (V.da Gamba), Thomas Rudolph (Organ).	L’Ambitiosa – Virtuose Instrumentalmusik des Italiensichen Fruhbarock. Canzoni Cœlln RS0702-012002	Soprano recorder by FM 1996, soprano by Andreas Schob 1993, Tenor by Monika Musch 2001, Tenor by Francesco Li Virghi 2002
37. Capella Corelli — Cynthia O’Brien (bar. violin), Ruth Wilkinson (recorder), Paul Thom (harpsichord)	For ye lovers and masters of musique (Handel, Castello, Matteis, Leclair, Corelli, Blow). Larrikin LRF 069 LP (1981)	Alto in f’ after Bressan
38. Capella Corelli (Ruth Wilkinson, recorder, Cynthia O’Brien, violin, John O’Donnel, harpsichord)	Capella Corelli play Handel and Telemann Move Records MD 3126 (Cassette MC 3126)	Alto in f’
39. Cappella Amsterdam (dir. Jan Boeke), Anneke Boeke (recorder)	Hodie Christus Natus est – Christmas music in the Netherlands (Jacob van Eyck: Puer nobis nascitur, O salich heyligh Bethlehem, Een kindeken is ons gebooren). Lindenberg Records (earliest release on: Attacca) Rotterdam No. 8 711801 0000771986	Renaissance alto (Ganassi) in g’
40. Cavasanti, Lorenzo (Recorder), Europa Galante, dir. Fabio Biondi	Antonio Vivaldi: Concerti con Titoli Virgin Veritas 7243 5 45424 2 8 (2000)	FM 1991, after, T. Stanesby, Luca De Paolis 1999, after P.Bressan. 2000
41. Cavasanti, Lorenzo (Recorder), Europa Galante, Ian Bostridge.	J.S.Bach: Cantatas & Arias, Virgin Veritas 7243 5 45420 2, (2000)	Alto by FM 1991, after T. Stanesby
42. Cavasanti~Ciomei	Bach~Suite BWV 997~Triosonate BWV 525-526-5297234 (?)	Recorder after T. Stanesby
43. Clarke, Zana	Dreams Inside the Air Tunnel. Orpheus OM 301 (1998)	Voice Flute in d’ by FM, Ganassi in g’ by M. Grinter (?)
44. Concentus Musicus Wien (Harnoncourt)	Brandenburg Concertos Nos 1-2-4 Teldec 9031-75888-2 (1981/84)	?
45. Concentus Musicus Wien, (Nikolaus Harnoncourt), Leonhardt-Consort (Gustav Leonhardt). [Recorder players listed in column 3]	Das Kantatenwerk – Sacred Cantatas by Johann Sebastian Bach. Teldec 4509-91755-2 to 4509-91764-2  (encompass volumes 1-10 with 6 CDs in each volume – volumes 6-9 [8 CDs in total] includes recorders by Fred Morgan. Recorded 1972-1988. Abbreviations in adjacent listings CMW– Concentus Musicus Wien LC – Leonhardt Consort	Vol. 6 CD 3: Track 1, 2, 4   BWV 106, LC  1980, after Bizey by FM, Frans Brüggen, Walter van Hauwe.  Vol. 7 CD 1: Tracks 1, 4, 5, 7, 9 BWV 119, CMW 1981 FM (1979 & 1980), (also by H.C.Fehr), Elisabeth Harnoncourt, Marie Wolf, Jürg Schaeftlein. CD 2: Track 9 BWV 122, CMW 1982 FM (1979 &1980), (also by H.C.Fehr), Elisabeth Harnoncourt, Marie Wolf, Jürg Schaeftlein. CD 3: Tracks 13, 15, 17, BWV 127, LC 1982, after Bizey by FM (also by H. Coolsma), Kees Boeke, Walter van Hauwe.  Vol. 8 CD 4: Tracks 13, 16, 18, BWV 152, CMW 1985, FM  1979, Elisabeth von Magnus-Harnoncourt (Marie Wolf very likely only on CD 4 Track 18 where doubling occurs). CD 6: Tracks 10, 13, 14, 15, BWV 161, CMW 1986, FM 1979 (no other instrument maker indicated here or above in BWV 152, so they must both be playing the Morgan 1979s) Elisabeth von Magnus-Harnoncourt, Marie Wolf.  Vol. 9 CD 4: Tracks 6, 7, 12, BWV 175, LC 1988, after Bressan by FM 1986 (also after Stanesby jr. by S. Hirao), Kees Boeke, Walter van Hauwe, Han Tol. CD 6: Tracks 1, 4, 5, BWV 180, LC 1988, after Stanesby Jr. by FM, 1986. and by S. Hirao, and after Bressan by FM, Kees Boeke, Walter van Hauwe, Han Tol, CD 6: Tracks 13, 14, 19, 20, BWV 182, CMW, by FM 1988, Elisabeth von Magnus.
46. Concertino Armonico, Geoffrey Burgess oboe/recorder, Owen Watkins oboe/recorder, Peter Watchorn h/c, organ, Claire Garabedian, ‘cello	Bach, Couperin, Telemann (No cat. no.)	Altos A415: Bressan by FM (G. Burgess), Stanesby Jr. by F. von Huene (O. Watkins).
47. Dikmans, Greg (recorders, renaissance flute, traverso), Max Hynam (lutes)	The Delightful Companion: Instrumental Music from the 14th-18th Centuries. Arika Records AR-001 (1981) LP	Ganassi in g’ at a466 and a435 (FM 1980), flute in C (16th cent) a435 by Robert Bigio (1980), Recorder in f’ after Bressan a415 by FM (1977), Traverso after Stanesby Jnr a415 by FM (1976), 6 and 7-course lute by Peter Biffin (1980)
48. Dikmans, Greg (renaissance recorders, renaissance flute,), Max Hynam (lutes)	Dialogo della Musica – Florid Italian Instrumental Music 1506-1630. Arika Records, AR-005 (1982) LP	Ganassi recorder in g’ (A466, A435, A415), Ganassi recorder in c’’ (A466, A415), flute in C (16th cent) a435 by Robert Bigio (1980), 6 and 7-course lute in G and A by Peter Biffin (1980)
49. Dikmans, Greg and Anne Norman, recorder and shakuhachi	Breath of Creation, Flutes of Two Worlds Move MD 3163 (1995)	Ganassi in c’’, alto in g?
50. Ehrhardt, Susanne	Hexentanz & Vogelgesang, Blockflötenmusik aus fünf Jahrunderten (Bassano, van Eyck, Hirose, Heberle, JS Bach) No catalogue number TT	Alto Bressan by FM, Soprano Ganassi by Kanji & Sorel, Alto after Rottenburgh by Moeck, Alto in g’ Ganassi by Bodil Diesen, Bressan Voice Flute by Kanji & Sorel, soprano by Yamaha.
51. Ehrhardt, Susanne (recorders), Jaqueline Ogeil (harpsichord), Margaret Waugh (baroque ‘cello)	LA FOLLIA, Vivaldi, Corelli, Scarlatti, Vitali Move Records MD 3211 (1998)	Alto recorder by FM
52. Ehrlich, Robert (recorder) with Mitteldeutsche Barocksolisten, dir. Siegfried Pank.	Viola da Gamba Concertata: Telemann: Double concerto in a minor; Sinfonia in F major. Raumklang RK 9806 (1999)	Bressan Alto in f’, A415, boxwood, 1990
53. Ehrlich, Robert (recorders), Mark Levy (viola da gamba), (Richard Egarr harpsichord)	Corelli, Sonatas Op. 5 (Nos 3, 4, 7-12) Globe Records, Castricum, Holland [To be released 2001?]. Globe Records	Voice flute (1988), alto recorder after Bressan (1990), Third and Fourth flutes
54. Ehrlich, Robert and Michael Form (recorders), Berliner Bach-Akademie	J S Bach: The Art of Fuge, arranged for 4 Quartets by Heribert Breuer.  Arte Nova Musikproduktion Arte Nova Classics 74321 74465 2 (2000)	Denner Alto in f’, A445, maple, 1991 (shortened by FM to German concert pitch!)
55. Ehrlich, Robert, recorder, Mitteldeutsche Barocksolisten	Telemann: Serenatas “Willkommen, schöner Freudentag”, TWV 12:3 (Incl. Arias with recorder obbligato) Ars Musici AM 1221-2 (1998)	Bressan Alto in f, A415, maple, 1998
56. Ehrlich, Robert, recorder, Richard Egarr h/c, Mark Levy, v.d.gamba	Georg Phillip Telemann-The Original Sonatas Globe GLO5161	Alto in f’ 1996, VF in d’ 1988 (both after Bressan c.1710) [Sonatine in a (TWV 41:a4) and Sonatine in f (TWV 41:a4) on maple Bressan, prototype]?
57. Eichberger, Myriam	Händel, Telemann, Weissambitus 97929	Alto recorder after Bizey; voice-flute after Bressan/Stanesby
58. Ensemble Aspecte	Matthew Locke: 7 Suites Pan Classics 510 068	Voice flute after Bressan
59. Ensemble Diferencias, Bryony Crawford Conrad Steinmann, Urs Haenggli, Helma Franssen	A Journey Through Al-Andalus and Hispania (Codex Las Huelgas, Atonio de Cabezon, Crostobal de Morales, etc.) Divox Antiqua, CDX-79809, [LC 1851] 2000	Ganassi in g’ and Ganassi in c’’ by FM, Renaissance recorders in c”, g’, f’, and C by Bob Marvin. Recorder in g’ after Bassano by Andreas Schwob.
60. Ensemble Differencias, Conrad Steinman, Elsa Frank, Helma Franssen, Urs Haenggli recorders	Canto Triplex CDX 79610	Renaissance type in c”-flote
61. Ensemble Douce Memoire, Gerald Stempfel (recorder), Jan Rokyta (Dulcimer)	Intuition-Ratio (in der Musik von 1300-1750) R&S (RS-05-02-94)	Voice Flute in d’ (after J. Denner) by FM – other recorders by Adriana Breukink, Moeck 1994
62. Ensemble Fiori Musicali Copenhagen, Nikolaj Ronimus, recorder, Helene Jerg, b.’cello, Leif Meyer, harpsichord/organ	Les voix des Loeillet Recorder Sonatas of the Loeillet family. CLASS CD.229	FM Recorders: F’ alto, after Bressan, 1988 VF in d’ Bressan 1992, Alto in f’, T Stanesby Sen 1993, Alto in E flat’ after P Bressan, 1997, Alto in f’ J. Denner 1990, “Thanks to Fred Morgan for making such wonderful instruments for me. These great-grandchildren of Bressan, Denner and Stanesby are my living originals”. N.R.
63. Ensemble Fitzwilliam, Jean-Pierre Nicolas, (recorder)	Telemann: Solo, Trio & Concerto. Auvidis Astree E 8561 (1996)	Denner alto in f’ by FM.
64. Ensemble Fitzwilliam, Jean-Pierre Nicolas, Pierre Hamon (recorders)	Marin Marais: Pieces en Trio, Auvidis Valois V 4638 (1991)	Two Denner altos in f’; Two Bressan Voice Flutes
65. Ensemble La Capriola (Arndt, Hug, Sabin, Schweitzer)	Telemann Corellisierende Sonate  Nr. 6 D-Dur, Trio G-dur, Concerto D-dur, Sonate g-moll, Concerto VI a-moll, Sonate d-moll, Corellisierende Sonate Nr. 3 d-moll (orig. h-moll). Bestellnummer: bcc 0909 Labelcode: 02371ISRC-Nummer: DE H51 01 105 0131bbc. BLUE. Calvin. CLASSICS (??) (2001)	Joachim Arndt:- Altblockflöte nach Debey von Guido Klemisch (22-31)- Voiceflute nach Bressan von Joachim Rohmer (1-5)- Cembalo nach Harras von Jürgen Ammer (6-9, 18-21) Angela Hug:- Altblockflöte nach Stanesby von Frederic Morgan (14-17, 26-31)- Voiceflute nach Stanesby von Hans Schimmel 81-5, 10-13, 18-21) Anne Sabin:- Diskantgambe von Jörn Erichson (14-17, 22-25)- Bassgambe nach Tielcke, um 1700 von Jörn Erichson (1-9, 18-21, 26-31) Claudia Schweitzer:- Cembalo thüringisch von Jürgen Ammer (1-13, 18-31)- Cembalo nach Harras von Jürgen Ammer (14-17)A=413 Hz, Werckmeister III
66. Familien-Ensemble Guttmann	BANDBREITE Recorded October 1995, in a chapel called “Salinenkapelle” in Hallein (a town near Salzburg) compositions by W. Brade, A. Mullenbach, G.B. Fontana, L.Brouwer/Lennon/Mc Cartney, G.P.Telemann, A.Aigmueller, P.Smadback, A. Vivaldi, G.Miller — NO CAT. NO. [private distribution]	Ganassi soprano (415Hz) – Fontana Sonata Seconda.
67. Fiori Musicali, Pamela Thorby (recorder), Kerstin Linder-Dewan (violin), Paolo Grazzi (oboe), David Staff (trumpet), Penelope Rapson (conductor)	Bach / Zelenka,Violin Concerto in D minor (Bach), Sinfonia in A minor (Zelenka), ‘Brandenburg’ Concerto no.2 (Bach) Metronome MET CD 1019 (1997)	FM?
68. Flanders’ Recorder Quartet “Vier op’n Rij” (Verbrüggen, Marion)	Browning My Dere, English Consort Music (Byrd, Tye, Stonings, Dowland, Baldwin) Vox Temporis VTP CD92 012 (1993)	Soprano in c’’, altos g’ and f’, tenor in c, basset in g, basset in f, bass in c, bass in f by Bob Marvin (1985), Ganassi recorders by Peter van der Poel and Fred Morgan (tracks 19-22 feature recorders by FM)
69. Flanders Recorder Quartet (and others)	Deutsche Barock Kammermusik (VII) Ricercar RIC 206432	Ganassi Recorders
70. Form, Michael (Blockflöte) Fabio Bonizzoni (Cembalo)	Johann Sebastian BachFlötensonaten/Flute Sonatas/Sonates pour Flûte Raumklang RK 9701 (1999)	Altblockflöte in f´ nach Bressan a415,, Altblockflöte in e´ a415 (f’ a392) nach Bizey, Flûte de voix in d ´nach Bressan a415– “IN MEMORIAM FREDERICK MORGAN”
71. Frederick Morgan Consort, The (Fred Morgan, recorders, Robert Moore, recorders, Tim Moore, recorders, Richard Ireland, Harpsichord and recorders)	Meet the Recorder Family (Susato, Couperin, Spencer Robinson, Telemann, Byrd) WG/B/S/5493 (1969) LP	The only recording – other than radio broadcasts – of Fred playing recorder, both solo and consort. Treble recorder by Fred Morgan – others by Dolmetsch, Coolsma and Küng.
72. Hamon, Pierre	Lucente Stella Opus 111 OPS 30-122	Bressan alto f’ a415 (1991), Ganassi a460 (1983), Voice flute a415 (1991)
73. Hamon, Pierre	Johannes Ciconia (1370-1412) Alla Francesca OPUS III, OPS 30-101	?
74. Hauwe, Walter van	Blockflute Classics 2 (Couperin, A. Danican-Philidor, J. Hotteterre, Dieupart) Moeck 10013- Same CD released on Channel Classics CCS 8095	Descant, alto and voice flute
75. Hauwe, Walter van	Blockflute Classics 1 (Telemann, Bach, J. S.) Moeck 10012	Descant, treble and voice flute
76. Hauwe, Walter van	Blokfluitmuziek Uit Vijf Eeuwen/Recorder Music from Five Centuries (Bassano, van Eyck, Marais, Shinohara and Ishii) CBS 71102 LP	Recorder at A462 after Ganassi, by Fred Morgan (1979), Renaissance tenor at A462 by Bob Marvin (1976), Renaissance basset at A440 by Moeck (1977), Recorder after Ganassi at A440, by Fred Morgan (1980), Recorder after Bressan at A425, by Hans Coolsma (1973), Voice-flute (tenor in d’) after Bressan, by Fred Morgan (1980), ‘Aura’ recorder by Hans Coolsma (1978), Recorder after Terton, by Hans Coolsma (1972), Voice-flute (tenor in d’) after Bressan by Fred Morgan (1980)
77. Hauwe, Walter van (Bob van Asperen, Wouter Möller)	Georg Phillip Telemann Globe Records GLO CX 15005 (1982) LP	Voice Flute (depicted on front cover of LP), others?
78. Hauwe, Walter van (recorders)	Ladder of Escape 3 Attacca, Babel 8847-5	?
79. Hauwe, Walter van, recorders Bob van Asperen, h.chord & organ, Wouter Möller, violoncello, Frans Robert, baroque bassoon	Antonio Vivaldi Sonatas Channel Classics CCS 6194 Moeck	Recorders by Fred Morgan (types not mentioned) 1994
80. Heyens, Gudrun (recorder)	Tres Tendrement, Marais-Consort, includes Philidor-Suite No 5, g-minor. Nomos Label (?)	Alto after Bressan (Philidor suite)
81. Il Dolcimelo Köln: Katja Beisch (recorder), Doris Runge (baroque cello), Alexander Puliaev (harpsichord)	Affettuoso – Italienische Violinmusik in der Bearbeitung für Blockflöte. Music of Berardi, Merula, Frescobaldi, Marini, Vivaldi and Corelli 7 13553 03012 6 (1997)	Soprano in c’ after Ganassi (1997), Alto in g’ after Ganassi (1996), Baroque altos by Ralf Ehlert (1997), and Juergen Meyenburg (1991)
82. Il Dolcimelo: Katja Beisch (recorder), Marie Verweyen (baroque violin), Doris Runge (baroque cello), Thomas Boysen (theorbo, lute, baroque guitar), Christoph Lehmann (harpsichord, organ)	Ffor severall ffriends – Broken Consort by Matthew Locke and Contemporaries Aeolus AE-10056 (12/2000)	Voice Flute by FM
83. Jensen, Kirsten Lund (recorders) and Per Weile Bak (renaissance lute and archlute)	Duo al Dente: A Taste for Baroque (Bellinzani, Couperin F, Oswald, Corelli, Dowland, O’Carolan) Danacord DACOCD 484 (1997)	Stanesby Jnr. Alto by FM (1996), Denner Alto by F. von Huene (1996), Denner Voice Flute by Margaret Löbner (1991), soprano and sopranino by Roessler/Heide (1990, 1991), Archlute by Thomas Neitzert (1989), renaissance lute by Klaus Jacobsen (1990)
84. Kammertino Linz-Wien	Kammermusik Für Gitarre Blöckflöte und barockgeige (Fux, Leopold, Bresgen, Matteis, Bach) Domino 801-412	Alto f’ 1983 (Denner) Others: sopranino von Huene 1983, sixth flute, A. Loretto 1986, alt f’ Guido Klemisch 1983, alt f’ T. Prescott 1982, tenor in C Guido Hulsens 1987
85. Kanji, Ricardo (recorder), Jacques Ogg (harpsichord), Richte van der Meer (‘cello, viola da gamba)	Van Wassenaer & Contemporaries Globe GLO 5101 (1993)	Alto after J. Denner
86. Kneihs, Hans Maria	Hotteterre “Le Romain”, 5 Suites for Recorder & Basso Continuo op. 2 Camerata 32CM-21 (Tokyo, 1987)	Alto after Debey, 1975
87. La Petite Bande	Concert de Danse (Lully, Charpentier, Rebel, De la Lande and Rameau) ACCENT ACC 96122D (1997)	Six recorders (Bizey a392?)* built especially for this project *Fred told me he had made six altos in f’ at a415 after Bressan for a project like this. He made additional joints for each instrument at a392 for the recording. This may have been the only occasion that he made French pitch a392 altos in f’ after Bressan rather then the usual Bizey derivation.
88. La Petite Bande, Mens Choir of La Petite Bande, Tolzer Knabenchor. (Barthold Kuijken, recorder)	J.S. Bach, St. Matthew Passion, conducted by Gustav Leonhardt Deutsche Harmonia Mundi 7848-2-RC (1989)	Alto after Denner f’ (a415)
89. La Petitie Bande (Barthold Kuijken, and Koen Dieltiens, recorders)	J.S. Bach, Brandenburg Concertos II and IV, La Petite Bande, Sigiswald Kuijken. Deutsche Harmonia Mundi 05472 77308 2, recorded in 1993 (IV) and 1994 (II)	Alto after Denner f’ (a415)
90. La Romanesca (Bandt, Wilkinson, Griffiths & Newnham)	Iberian Triangle (Music of Christian, Moorish and Jewish Spain before 1492) Move Records MD 3114	‘Rosenborg’ (‘van Eyck’) soprano in c’’ at A466
91. La Simphonie du Marais (Hugo Reyne, Pierre Hamon etc.)	H. Purcell: A Collection of Ayres Virgin Veritas, 7243 5 45182 2 5	Alto rec. after Stanesby (1994) and originals by Bressan (the recording commemorates Bressan)
92. Lacey, Genevieve	Phoenix Songs Move Records MD 3165	Alto after Denner (maple) a440 (Broadstock, Shanahan [Lingua silens florum and Helical Ribbon, not Cathy’s Song], Baker and Bandt)
93. Lacey, Genevieve (recorders), Australian Brandenburg Orchestra (dir. Paul Dyer)	VIVALDI, Il Flauto Dolce, An Instrumental Opera for Recorder and Orchestra. ABC Classics (ABC 461 828-2) (2001)	Soprano after Stanesby (1987), Alto after Denner (1985), Alto after Bressan (1994)
94. Lacey, Genevieve (recorders), Linda Kent (harpsichord, chamber organ)	Piracy – Music Stolen for the Recorder. ABC Classics ABC 472 226-2 (2002)	Soprano after Stanesby, Alto after Bressan, Voice flute after Bressan, Ganassi in g’ — all by FM. Ganassi soprano in c’’ by David Coomber
95. Lacey, Genevieve (recorders), Poul Høxbro (percussion, three-holed pipe)	Two (Anon., Marin Marais, Amanda Baker, Johann Sebastian Bach Calliope Tsoupaki, Trad.) Move Records MD 3126 (1999)	Ganassi-type recorder in G, Alto after Denner, Voice flute in D after Bressan & Stanesby. Others: Tenor Recorder by Yamaha, Ganassi type recorder in C by David Coomber.
96. Laurin, Dan	Recorder Graffiti, Solo works by Lindh, Telemann, Masumoto, Bach, Ishii, Heberle, Andriessen, van Eyck, Anonymus (1991) Intim Musik IMCD 012	Two Ganassi g altos, maple voice flute after Bressan: “Hearty and warm thanks to my recorder maker, Fred Morgan, who has given me a voice to sing with. He has made all the instruments, except the ones used in “Pastorale” and “Black Intentions.”
97. Laurin, Dan	The Japanese Recorder (solo, contemporary music by Ishii, Hirose, Shinohara, Masumoto) BIS-CD-655	Denner treble recorder (for Hirose)
98. Laurin, Dan	Telemann, Twelve Fantasias, JS Bach solo, CPE Bach sonata BIS-CD-675 (1994)	“Two voice flutes in D (a=415Hz) by Frederick Morgan, Daylesford, Australia. One of which was built for this recording. They are both based on original instruments by Bressan. Thank you Fred for building your instruments with so much artistry and love. And thank you, Nikolaj Ronimus, for keeping my instruments in good shape” – D.L.
99. Laurin, Dan	Jacob van Eyck, Der Fluyten Lusthof (Complete) BIS CD-775/780 (9 CDs)(1999) “Playing for Fred in his workshop in the lovely scenery of Victoria was always an adventure. Fred would sit with his huge hands on his lap, with that very attentive gaze of a real professional. He would start his comments with something like: “Hmmm… well… ah… you see… I changed the curve a little…” and immediately wander off for hours in discussions of what we thought we had heard in a particular tone with a particular fingering. I shall miss these discussions, filled with the most charming, understated humour. I asked Fred to write about this wonderful recorder (“Missing Link Soprano”) but sadly, fate intervened. I shall miss Fred’s friendly, Aussie accent, calling me over scratchy phone lines live, direct from Daylesford, Australia” – CD sleeve notes, p.51.	Hand-fluit, boxwood, after original in Rosenborg Slot (1995), Hand-fluit, maple, after original in Rosenborg Slot (1980?), Soprano in c’’, maple a415, after Ganassi (1989), Altos in g’, Ganassi, including maple a466, 1-piece (1998), maple a466 2-piece (1999), maple a440 1-piece (1997), “missing link”* soprano, boxwood a440 (1998). Alto in f’ and tenor in c’, kanuka (tea tree), by Paul Whinray. *Fred’s most recent attempt at designing a 17th century recorder appropriate for the music of van Eyck – “Fred came to me like a proud father with a prototype … a fat bulbous thing with chewing gum in the holes that were in the wrong place, scratching from the tools and a trial varnish just to see what it might look like. But the sound: I thought my ears would fall off! The offspring was given the name ‘Missing Link Soprano’.“ – CD sleeve notes, p.51.
100. Laurin, Dan	Don Antonio Vivaldi: Concerti per flauto e flautino, Bach Collegium Japan/Suzuki. Concertos for alto and sopranino recorder and strings: RV 92, 108, 428, 435, 443, 444 and 445. BIS 865 (1997)	Hallett flautino, Bressan A415 alto, Stained Denner alto 415, Single-hole Stanesby 415
101. Laurin, Dan (recorder) Orchestra “Van Wassenaer”; Makoto Akatsu, violin/director.	Entertainments For A Small Flute: Giuseppe Sammartini: Concerto a più Istromenti p. La Fluta. John Baston: Concerto V. William Babell: Concerto I; Concerto II; Concerto III; Concerto IV. Robert Woodcock: Concerto II for sixth flute; Concerto III for sixth flute. BIS-CD-985 (2000)	Two Hallett 6th Flutes, Bressan 415 soprano
102. Laurin, Dan / Drottinholm Baroque Ensemble	Vivaldi: Six Recorder Concertos BIS-CD-635	“Bressan” alto recorder, “Denner” recorder – “I would like to thank my wonderful instrument maker, Fred Morgan, who makes recorder playing such a joy”
103. Laurin, Dan, Hidemu Suzuki ‘cello, Masaaki Suzuki harpsichord and organ	Handel The Recorder Sonatas BIS-CD-955 (1999)	Stanesby model alto (a403), Bizey model alto (a392), Bressan model alto in E flat a (415). Also Stanesby model alto by Paul M. Whinray (NZ) (a 415)
104. Laurin, Dan, recorders/musical direction	Telemann on the Recorder BIS-CD-855	Alto (stained) after Jacob Denner. Three voice flutes after P. Bressan (two boxwood, one maple), Alto recorder after P. Bressan. “Special Thanks to … Fred Morgan whose instruments are an indispensable element of the sound of the recording”.
105. Laurin, Susanna	LYRISCHE SZENEN (Lyric Scenes), Solo recorder music by Markus Zahnhausen: Signs of the Seasons (1989-91) Lyric Scenes (1992) Lux aeterna (1994) Musica inquieta (1990) BIS CD 10131999	All recorders by FM
106. Laurin, Rasmussen, Meyer	The French King´s Flautists BIS-CD-745	2 Voice flutes (maple and boxwood)
107. Legêne, Eva and the Rosenborg Trio (Karen Englund, harpsichord, Mogens Andresen, baroque trombone)	“Royal Music” Rondo Grammofon RCD 8332 (1991)	Rosenborg recorders Nos. I and II in d’’ (in c’’ at a460?) by FM carved in narwhal tusk after the originals. Ganassi soprano in c’’, Ganassi alto in g’.
108. Leonhardt Consort, Concentus Musicus Wien	Bach: Das Kantatenwerk Vol 42, BWV 180-184 Teldec 8.35799, 242 738-2	Recorders after Stanesby, 1986
109. Lewis, Lesley and Joanna Dudley	Telemann Duo Sonatas Move MD 3140 (1994)	Altos after Stanesby and Debey, a415.
110. Linsenberg, Judith (recorder) with Musica Pacifica	Alessandro Scarlatti, Concerti da Camera Dorian Recordings (Dor-93192) (2000)	Alto after Bressan (1995)
111. Linsenberg, Judith (recorder) with Musica Pacifica	Mancini, Concerti da Camera Dorian 93209 (2000)	Alto after Bressan (1995)
112. Linsenberg, Judith, recorders; Elizabeth Blumenstock, violin; Gonzalo Ruiz, oboe; Roy Whelden, viola da gamba; Michael Eagan, archlute; Byron Schenkman, harpsichord	Marais: Pieces En Trio. Virgin Veritas 61365	Bressan-type alto in f’, 1995
113. Little Consort – (Lucia Meeuwsen, soprano, Walter van Hauwe, recorders and traverso, Kees Boeke, Viola da Gamba, Toyohiko Satoh, Lute, therobo)	Songs & Arie Musicali (Frescobaldi, Monteverdi, Caccini, van Eyck, Dowland, Quagliati) Quadro Records QR6818501 (1985) LP	?
114. Mala Punica	Ars Subtilis Ytalica Arcana A 21	Alto Ganassi in g’, 1984
115. Mala Punica, Kees Boeke (recorder, viol), Pedro Memelsdorff (recorder), Jill Feldman (soprano), Giuseppe Maletto (voice), Christophe Deslignes (organetto), Karl-Ernst Schröder (lute), Svetlana Fomina (viol)	D´Amor Ragionando Arcana A 22 (1994)	Alto Ganassi in g’, 1984
116. Mala Punica,  Pedro Memelsdorff (recorder), Kees Boeke (recorder, viella), Svetlana Fomina (viella), Christophe Deslignes (organetto), Karl-Ernst Schröder (lute), Valentina Visconti (harp), Jill Feldman (singer), Sabine Lutzenberger (singer), Claudine Ansermet (singer), Giuseppe Maletto (singer)	En Attendant: L’Art de la citation dans l’Italie des Visconti, Arcana A 23 (1995)	Alto Ganassi in g’, 1984
117. Mala Punica/Pedro Memelsdorff	Missa Cantilena Erato 0630-17069-2	Alto Ganassi in g’, 1984
118. Martin-Kosofsky, Scott (recorder)	Music for Solo Recorder, Vol. I, (Telemann, bassano, “t’ uitement kabinet) Titanic records, Ti 7 (no date) (LP)	Telemann: alto in f’ by FM, 1974, after P. Bressan, c. 1700 and alto in f’ by Andreas Glatt, 1973, after T. Stanesby, c.1700, Bassano: Renaissance soprano in c” by Bob Marvin (van Noort, de Vois)
119. Memelsdorff, Pedro (recorder) and Andreas Staier (harpsichord)	Delight in Disorder, The English Consorts of Two Parts 1640-1680 (William & Henry Lawes, Nicola Matteis, Matthew Locke, Henry Purcell). Deutsche Harmonia Mundi, DHM 05472 77318 2	Recorders: Fred Morgan 1984, Bob Marvin 1983
120. Miessen, Marijke (recorder), Bob Van Asperen (Cembalo), Wouter Moller (cello)	Aspects Of Chamber Music From The Netherlands, Synphonia (Padbrué) Praeludium ofte Voorspel (van Eyck)Den Lustelyken Mey (van Eyck) Phantasia & Echo (van Eyck) Sonata Op. 1, No. 1 (van Noordt) Radio Nederland, Transcription Service BFO Centre Nederland Music Volume 2 Realisation TECHNOSONIC, Holland (No catalogue no.)	Ganassi and ‘Van Eyck’ (Rosenborg) models (?)
121. Nallen, Evelyn (recorders), Timothy Roberts (Harpsichord/Organ), Jeremy Ward (bassoon), Frances Kelly (harp).	The Nightingale in Love ASV CD DCA 606 (1988)	Denner Alto in f’, Denner Voice Flute (unstained maple prototype, ~1980/1)
122. Nardoo (Zana Clarke, recorders, Peter Bifffin, tarhu, fretless guitar, fretless banjo)	Waiting By The Sea Orpheus Music OM 4011999	Voice Flute and Treble in f’ after Denner
123. Newberry Consort, The (Marion Verbrüggen, recorder)	The Golden Dream, Harmonia Mundi 907123	Tenor recorder by F. von Huene (1993), Soprano recorder by FM (1989), 14-course theorbo after Reilich by Hendrik Hassenfuss, Cologne, Germany (1991), Violin after Nicola Amati 1650 by Guy Derat (1989), Gamba after Addison by John Pringle (1993)
124. Palladian Ensemble	Bach Trio Sonatas Linn CKD 036	Alto recorder after Bressan (1993) Voice Flute, Bressan / Stanesby – type (1992)
125. Palladian Ensemble	Les Saisons Amusantes Linn CKD 070 (1997)	? Voice flute and alto
126. Palladian Ensemble	An Excess of Pleasure Linn Records LINN CKD010 (1993)	‘Ganassi’ soprano 1992, Denner Voice Flute 1992. Also Terton soprano and Stanesby Jnr alto by Friederich von Huene (1985)
127. Palladian Ensemble	The Winged Lion Linn CKD015	Ganassi soprano 1992, Bressan alto 1993, Bressan/Stanesby-type voice flute 1992
128. Palladian Ensemble (Pamela Thorby, recorders)	A Choice Collection Linn CKD 041	Soprano, Alto and Voice Flute by FM (all 1992), Sixth Flute by Tim Cranmore (1995)
129. Palladian Ensemble, Pamela Thorby (recorders), Rachel Podger (violin), Susanne Heinrich (viol), William Carter (lute, guitar)	Trios for 4 Music by George Frideric Handel, Georg Philipp Telemann, Jean-Marie Leclair, Johann Joachim Quantz Linn Records CKD 050 (1997)	Alto after Bressan (1993), Voice-flute in d’ after Bressan / Stanesby. Other recorders by Friedrich von Huene: Soprano after Terton (1985), Tim Cranmore: Tenor after Rottenburgh (1995)
130. Pehrsson, Clas and Dan Laurin	Georg Phillip Telemann, Complete Double Concertos with Recorder BIS-CD-617	Dan Laurin – Treble in f’ FM, Bressan. Other recorders by Guido Klemisch 1983, 1984 & 1993
131. Peñalver, Guillermo	Sonate per Flauto e Basso Continuo, Poema Harmonico (recorder, theorbo / baroque guitar, viol) Lindoro MPC0702 Sevilla (1998)	Includes a P. Locatelli Sonata in D major  (Op.2, n.2) for recorder, baroque guitar, and viol – Voice Flute by Fred Morgan
132. Perfect Houseplants — Pamela Thorby, recorders. Huw Warren, piano, accordion and ‘cello. Dudley Phillips, electric and acoustic basses. Mark Lockheart, saxophones and clarinets.	New Folk Songs Linn AKD 130 2001	Voice Flute by FM
133. Quadro Hotteterre	Französische Blockflötenmusik, Teldec 6.41927 AWLP	? Altos in f’ after Bizey
134. Quadro Hotteterre	Blockflötenmusik des Barock (Hilton, Purcell, Locke, Marais, Merula, Telemann, Sammartini, Gautier) Teldec 6.42052 AW,(Selections from LPs 1975-1978) LP	?
135. Quadro Hotteterre	Italienische Blockflötenmusik Teldec 6.42335 AW(1978?) LP	Alto Ganassi in g’
136. Quadro Hotteterre	Marin Marais, Blockflöten-Suiten-Vol. 1 Teldec 6.41992 AW (1978?) LP	Altos in f’ after Bizey (1974)
137. Quadro Hotteterre	Marin Marais, Blockflöten-Suiten-Vol. 2 Teldec 6.42035 AW(1978?) LP	Altos after in f’ Bizey (1974)
138. Quadro Hotteterre	Marin Marais, Blockflöten-Suiten-Vol. 3 Teldec 6.42192 AW (1978?) LP	Altos in f’ after Bizey (1974)
139. Quadro Hotteterre	Hotteterre: 6 Triosonaten Teldec 6.42801 (1982) LP	Altos after Bizey (A390) 1975 (‘74?), Voice Flutes after Bressan (A415) 1980, Violoncello Piccolo by Ferdinand Gagliano, Naples 1740, Cembalo by David Rubio (1973), after Pascal Taskin, Paris 1750.
140. Quadro Hotteterre (Kees Boeke, Walter van Hauwe, Wouter Möller, Bob van Asperen) with Frans Brüggen	Musik mit drei Blockflöten, Das Alte Werke Telefunken 6.42365 (1979) LP  (Teldec 94233 –CD?)	Soprano recorders by Fred Morgan (1978), Friederick von Huene (1976); alto recorders by Friedrich von Huene (1973), J. Steenbergen (1730), Thomas Stanesby (ca 1700), P.J. Bressan (ca 1710), Fred Morgan (1976) after Bizey; tenor recorder by Friedrich von Huene (1975); bass recorder by Moeck
141. Quadro Hotteterre with Frans Brüggen	JACQUES MARTIN HOTTETERRE (1674-1763) Recorder Sonatas — Six Sonates en Trio op.3, Paris 1712, Premiere Suitte de Pièces à deux dessus sans Basse Continue Op.4, Paris 1712, Teldec 3984-26797-21970/1982, Re-released 2000 (CD)	Alto recorders after Bizey by FM, 1975, a390 Hz. Voice Flutes in D: P. Bressan, London, c1700; after Bressan by FM, 1980, a415 Hz (Six Sonates en Trio, recorded 1982), Altos by von Huene (Boston) and Coolsma (Utrecht), after Bressan (Boeke/ Brüggen – Pièces à deux … recorded 1970
142. Quadro Hotteterre, Kees Boeke (recorder), Walter van Hauwe (recorder), Glen Wilson (harpsichord, organ), Wouter Möller (cello)	Sonatas / Canzonas Baroque Chamber Music – Purcell / Turini / Merula Philips 442 782	2 Baroque Alto recorders, 2 Sopranos in c” and 2 altos in g’ “Ganassi” (one in ivory), tenors by Bob Marvin.
143. Quadro Hotteterre / Alice Harnoncourt / Han de Vries	Telemann: Trios & Quartette Teldec 97455 (3 CDs) (or) Teldec 4509-97455-2 (?)	Alto recorder after P.I. Bressan (1979), Alto recorder after Thomas Stanesby (1978)
144. Respectable Groove – Evelyn Nallen (recorder), David Gordon (harpsichord, chamber organ, congas), Richard Jeffries (double bass), Ichiro Tatsuhara (percussion)	Mysterious Barracudas, Music by Lunny, McSherry, Tickell and Couperin. Mister Sam, samcd001 (October 2001)	“La Rotta Della Manfredina”and “Trotto” are recorded on FM’s Ganassi alto in G (at A=415 and 440).  “Trotto” is dedicated to FM.
145. Respectable Groove, The: Evelyn Nallen (recorder), Andrew Collis (recorder), Katrina Koski (recorder), Barbara Law (recorder), David Gordon (harpsichord), Richard Jeffries (double bass), Ichiro Tatsuhara (percussion)	Tell Tale Ducks, Music composed by David Gordon: She moves through the fair Air (inspired by a Bach prelude & La Folia), Lucky with the Weather (recorder quartet) FMR CD29 – UG0197	Ganassi in G at A440
146. Salut! baroque – Sally Melhuish (recorder), Hans Dieter Michatz (recorder), Lucinda Moon (b.violin), Stephen Freeman (b.violin), Bianca Porcheddu (b.violin), Nicole Forsyth (b.violin/viola), Anthea Cottee (b.’cello), Tim Blomfield (Bass violin, b. ‘cello), Simon Martyn-Ellis (Lute, theorbo, Bar. Guitar), Katrina Brown (harpsichord).	Georg Phillip Telemann Four concertos, Suite in F minor, Sonata in F major. Artworks Early Music  AW031 (2002)	Alto after Denner (1990) – played by S. Melhuish. Alto after Stanesby Jnr. (1985) – played by H. Dieter Michatz.
147.      Salut! baroque – Paul McMahon, Tenor Sally Melhuish, Recorder Hans-Dieter Michatz, Recorder Tim Blomfield, Baroque Cello Tommie Andersson, Archlute /Baroque Guitar/ Theorbo Neal Peres da Costa, Harpsichord	Pepusch “Cantatas and Sonatas” — SAL004	Alto after Denner (1990) – played by S. Melhuish. Alto after Stanesby Jnr. (1985) – played by H. Dieter Michatz.
148. Salut! baroque – Sally Mellhuish (recorder), Tim Blomfield (b.‘cello), Luke Green (harpsichord), Jane Edwards (soprano), Lucinda Moon (violin) and Marshall McGuire (double harp).	Salut! Walsingham Classics WAL 8024 2 (1998)	Ganassi style soprano 1990
149. Schola Cantorum Basiliensis Documenta, M. Figueras, R. Jacobs, K. Widmer, M. Piguet, B. Dickey, J. Savall, A. Parker	Virtuose Verzierungs-Kunst Um 1600, Harmonia Mundi 165-99895/96 (1980) 2LPs	Renaissance – Diskant -Blockflote (Ganassi) in g, Fred Morgan 1979 (A460), played by Michel Piguet.
150. Schola Cantorum Basiliensis Documenta- Georg Philipp Telemann	Kammermusick Mit Blockflote; Conrad Steinmann, Kathi Gohl, H. Smith, J.Deutsche Harmonia Mundi: 1C065/16 9557 1 (1985) LP	Denner alto by FM, 1981. Denner voice flute by Tom Prescott, 1979. Terton soprano by Scheele, 1975; c’ tenor recorder after Bressan by Bernhard Junghanel, 1982.
151. Schwarzer, Jeremias	Jeremias Schwarzer  – Trio Diritto (December ’52 by Earle Brown) Moeck 10 016	Alto recorder in f’ (a=392 Hz)
152. Schwarzer, Jeremias (recorder), Egon Mihajlovic (harpsichord)	Händel / Bach / Bachsöhne Cybele	Alto rec. after Bressan
153. Soederberg, Camilla (recorder), Ann Wallstroem (violin), Peter Tompkins (oboe), Gudrun Oskarsdottir (harpsichord), Hoerdur Askelsson (organ), Judith Thorbergsson (bassoon), Sigurdur Halldorsson (violoncello)	TITLE? Includes: Georg Philipp Telemann, triosonata in a-minor (from Essercizii Musici) for recorder and violin and b.c.2), Johann Joachim Fux, triosonata in C-major for oboe, recorder and b.c., Georg Friedrich Handel, triosonata in c-minor for recorder, violin and b.c., Antonio Vivaldi: concerto in g-minor, RV 103 for recorder, oboe and b.c. Produced in Iceland JAPIS  99 JAP 9969-2 (1999)	Denner alto (autumn 1998)
154. Sour Cream (Frans Brüggen / Kees Boeke / Walter van Hauwe), Isabel Álvarez (voice), Toyohiko Satoh (lutes)	The Passion of Reason – Five centuries of scientific music, Sour Cream, Glossa (Spain), GCD P31102 (2 CDs)	Three Ganassi sopranos, three Ganassi g-altos, a Ganassi ivory g-alto (all Morgan) and many other instruments by other makers.
155. Steger, Maurice	La Castella (Ucellini, Mealli, Mancini, Corelli) Claves CD 50-9809	Alto recorder after Bressan (1998); Voice-Flute after Bressan and Stanesby (1998).
156. Steger, Maurice (recorder), I Barocchisti, Diego Fasolis, conductor (period instruments)	Vivaldi: CONCERTI Claves RecordsCD 50-2010 (2000)	Concerto “Il Gardellino” RV 428: flautino in d’ after Stanesby Junior by Heinz Ammann, Concerto in F Major RV 434: Alto after Bressan by Fred, Concerto G Major RV 437 and Concert a minor RV 108: Alto after Denner by Adrian Brown, Concerto G Mayor RV 438: Voice flute after Bressan and Stanesby by FM
157. Steger, Maurice and the Continuo Consort (Kitaya, Zipperling, Weinmeister, Gohl, Feehan, Märkl)	G. PH. TELEMANN: SOLOS & TRIOS, CLAVES RECORDS, CD 50-2112 (2001)	Alto recorder in f’, after Peter Bressan, by Frederick Morgan, Australia (1-4, 10-13, 14-17, 19), Alto recorder in f’, after Jacob Denner by Adrian Brown, Netherlands (5-7, 21-24, 28-31), Tenor recorder in d’, after Jacob Denner, by Adrian Brown, Netherlands (8-9), Alto recorder in f’, after Jacob Denner, by Shigeharu Hirao, Japan (18, 20), Voice Flute in d’, after Peter Bressan and Thomas Stanesby, by Frederick Morgan, Australia (25-27)
158. Steinmann, Conrad	MELPO (Lorenzo da Firenze, Ser Ghirandellus da Florentia, Machaut, Eyck, Steinmann, Mose) Jecklin-Disco JD 622-2 (1988)	Recorder in c’’ (after originals from the early baroque period) – other recorders by: Bob Marvin (c’’), von Huene (Denner f’), Ernst Meyer (g’), Moeck (f’)
159. Steinmann, Conrad (flageolet)	The Abduction from the Seraglio (Mozart / Harnoncourt), Mozartorchester des Opernhauses Zürich TELDEC 0630-10025-2 (1985/1995)	Flageolet in g’’ by FM (ie range of sopranino in g’’): Act 1 Overture, nr 5b (Janissaries Chorus), nr 14 (Duetto ‘Vivat Bacchus’), nr 19 Aria “O, wie will ich triumphieren’ (Osmin), nr 21b (?) Janissaries Chorus
160. Steinmann, Conrad (recorder), Monica Hugget (violin), Pere Ros (viol), Johann Sonnnleitner (harpsichord), Claude Flagel (hurdy gurdy).	LE PRINTEMPS OU LES SAISONS AMUSANTES, LP: Claves D 8302 (1983) CD: Claves CD 50-8302 (1989)	Alto recorders by Frederick G. Morgan (1981) after J.C. Denner, Friedrich von Huene (1975) after J.C. Denner; soprano recorder by Klaus Scheele (1975) after Terton
161. Steinmann, Conrad (recorders, flageolet)	WERKE FUR BLOCKFLOTE SOLO VON 1600-1978 – Anonymous; Apollo’s Banquet; J.S.Bach; Paganini; Gaveaux; Moser; Marti) CLAVES D 8001 (LP) 1980	Bob Marvin renaissance g’ alto; FM Bressan voice flute; Collin a Paris 1820 Flageolet; von Huene Denner alto; Moeck bass
162. Steinmann, Conrad (recorders, flageolet) with Anneke Boeke, Pere Ros, Hopkinson Smith, Johann Sonnleitner	LES FETES GALANTES, Dieupart, Monteclair, Hotteterre, Lavigne CLAVES D 8103 (LP) 1981	FM Soprano fourth flute, Scheele Bressan alto; FM Debey alto; Kinoshita Rotteburgh traverso; Anonymous 1800 Flageolet
163. Steinmann, Conrad with London Baroque	Italian Concert (Scarlatti, Mancini and Colista)  Claves Records 50-8912	Alto rec. after Denner (1984)
164. Steinmann, Conrad, Blockfloten, Aulos, Volkstrumente	Pneuma Jecklin – Disco JD 669-2	Recorder in c’’ – other recorders by Bob Marvin
165. Thorby, Pamela & Sonnerie (dir. Monica Huggett). Monica Huggett – violin, Emilia Benjamin – violin, Katherine McGillivray – viola, Alison McGillivray – cello, Sarah Groser – violone, Matthew Halls – harpsichord, organ,	Baroque Recorder Concertos (Vivaldi, Telemann, Sammartini)  Linn Records CKD 1832002	Alto in f’ after Bressan (1993) — Vivaldi C minor and Telemann A minor
166. Thorby, Pamela (recorder), Catherine Bott (soprano)	H. Purcell: Sweeter than roses, L’oiseau – Lyre, Decca (1995)	Alto after Bressan (1993)
167. Thorsen, Frode (recorder), Liv Basberg and Jarle Rui Aadna (voices), Kjetil Sandrum (double bass), Jostein Stalheim (Accordion)	Jostein Stalheim: Kast Det poly- og mikrotonale akkordeon vol. 1 Hemera HCD 2918 (1996)[Norwegian Society of Composers -There are 6 compositions on this CD, all of them composed by Jostein Stalheim. One of these pieces is called “Kast”; for recorder / traverso, speaking voices (male and female), double bass and accordeon]	(Amongst others) F. Morgan: voiceflute in d’ after Bressan/Stanesby
168. Thorsen, Frode, recorder Hans Knut Sveen, harpsichord & organ Jane Odriozola, cello	Georg F. Handel: Sonatas for recorder and basso continuo. Simax PSC 1093	Alto after Stanesby, Voice Flute in d’ after Stanesby/Bressan
169. Tre Fontane (Kate Burridge, Helen Dell, Jeanette Hajncl, Stephen Morey, Barb Williams)	Medieaval music from the 12th to 15th century. Cassette only (Melbourne, Australia) (1991) .	Ganassi recorders (2) at 466 with a415, alternative foot joints.
170. Trio Diritto	Without compression (Riehm, Marbe, Veru, Dinescu, Kröll, Thomas, Goldstein) Cybele 260.501	Alto recorder, 415 Hz in f’
171. Trio Faronell – Alan Davis, recorder, Jane Ryan, viola da gamba, Andrew Hurst archlute and baroque guitar	Petite Musique de Chambre (Telemann, Kuhne, Hotteterre, Caix d’Herveloix, Handel, de Visee, Maraisde Lavigne) TFCD1 (1998)	Alto recorder after Stanesby 1991, voice flute 1994 Bass Viol – Claude Pierray 1709 Paris, Archlute and baroque guitar, Stephen Baser, London 1997.
172. Trio Faronell: Alan Davis (recorder), Jane Ryan (viola da gamba), Andrew Hurst (archlute)	Preludes Airs and Divisions (English Ensemble Music of the Seventeenth Century by Carr, Jenkins, Locke, Mace, Parcham, Henry & Daniel Purcell and Christopher Simpson) TFCD2	Alto recorder after Stanesby 1991, Viola da gamba by John Rose, London 1589, Archlute by Stephen Barber and Sandi Harris London 1997
173. Trio Sonnerie, Marion Verbrüggen	The Art of the Recorder, Bach, Bassano, Fontana, MaraisMarion Verbrüggen ASV/Gaudeamus CD GAU 113 (1989)	Ren G alto after Ganassi, Soprano Ganassi, Alto in f’ Bressan, soprano in c’’ after Terton (All by FM) – treble by Hans Coolsma
174. Tripla Concordia (Cavasanti [Flauto & Traverso], Ciomei, Boersma & Martinoli)	Georg Phillip Telemann Sonatas & Trios, Johann Sebastian Bach Triosonatas & suite BWV 997. Cantus C 9701/2	Recorder after P.Bressan & T. Stanesby, Traversi by Alain Weemaels after Grenser & Tutz, and after Rottenburg.
175. Tripla Concordia (Lorenzo Cavasanti e Giulio Capocaccia flauti dolci Caroline Boersma cello, Sergio Ciomei clavicembalo)	Frescobaldi, Selma, Fontana, Castello: Canzoni, Fantasie e Sonate CD NUOVA ERA 7041 (1991)	“Ganassi” recorders
176. Tripla Concordia (Lorenzo Cavasanti flauto dolce – Paolo Faldi oboe – Fabrizio Cipriani, violino – Maria De Martini, fagotto – Caroline Boersma, violoncello – Sergio Ciomei clavicembalo)	J. B. De Boismortier – A.Dornel: Concertos and Sonatas DYNAMIC CDS 198 (1998).	Soprano, Alto and Voice Flute
177. Tripla Concordia (Lorenzo Cavasanti, flauto dolce – Paolo Faldi, oboe – Diane Moore, violino – Caroline Boersma, violoncello, Sergio Ciomei Clavicembalo)	G.Ph.Telemann: Trios and Quartets) CD NUOVA ERA 7067 (1992)	Alto after Bressan / Stanesby
178. Tripla Concordia, (L. Cavasanti, Giulio Capocaccia, Caroline Boersma e Sergio Ciomei), Kees Boeke	G. Frescobaldi: Canzoni Vol.1). CD NUOVA ERA 7131 (1993).	“Ganassi” recorders
179. Tripla Concordia, Kees Boeke, Antonio Politano	G.Frescobaldi: Canzoni Vol. 2 & 3, CD NUOVA ERA 7251/52 (1996).	“Ganassi” recorders
180. Tripla Concordia, Lorenzo Cavasanti (recorder)	Giovanni Bononcini: Divertimenti da Camera Philarmonia (?) (2000)	FM 1991 after T. Stanesby, FM 1998 after J. Denner and Francesco Li Virghi 1995 after T. Stanesby J.
181. Tripla Concordia: Cavasanti, Lorenzo (recorder), Caroline Boersma (‘cello), Sergio Ciomei (harpsichord)	HAENDEL: Recorder Sonatas; CD Philarmonia In Preparation 1999/2000?	Alto Denner, 1998, Alto Bressan, 1990, Voice Flute Bressan / Stanesby, 1994
182. Tripla Concordia: Cavasanti, Lorenzo (recorder), Fabio Biondi (violin), Caroline Boersma (‘cello), Sergio Ciomei (harpsichord)	Georg Philipp TELEMANN: triosonatas for recorder, violin and continuo, Philarmonia PH9A0011999	Alto recorder after Bressan (1991)
183. Tyson, John (recorders)	Something Old, Something New, Vivaldi, Boismortier; Cooke, Hovhaness; Lovenstein. Titanic Ti-169 (1990)	Alto recorders (Vivaldi) by FM and Friedrich von Huene; soprano recorder by FM, alto recorder (Cooke, Hovhaness, Lovenstein) by Friedrich von Huene
184. Marion Verbruggen & Flanders Recorder Quartet	Vivaldi, Le Quatro Stagioni. Harmonia Mundi HMU 907153	Soprano in c” after Terton (1978), Alto in f’ after Denner, Alto in f’ after Stanesby Jr., Voice Flute in D after Denner (1986), Sopranos, tenor in c’, Bass in C by Friederich von Huene, Soprano in c’’, alto in f’, tenor in c’ by P. van der Poel, soprano in c’’, alto in f’ by H. Schimmel, Basset in F by G. Klemisch, Contrbass by H. Roessler.
185. Verbruggen / Springfels	Telemann, Solo Works Harmonia Mundi HMU 907158	Alto recorder after Stanesby, Voice flute after Denner
186. Verbruggen, Gibbons, Mahler	Eighteenth Century Recorder Sonatas Titanic TiCD-35	Soprano recorder after Stanesby Jr.
187. Verbruggen, Koopman, Ter Linden	Handel/Recorder Sonatas Harmonia Mundi HMU 907151	Alto recorder in F after Thomas Stanesby, Voice flute in D after Thomas Stanesby
188. Verbruggen, Marion	Van Eyck/Der Fluyten Lust-Hof Harmonia Mundi HMU 907072	Soprano recorder after Rosenborg, Alto recorder in G “Ganassi”
189. Verbruggen, Marion	Händel. The Complete Sonatas for Recorder HMU 907151	Alto recorder in f’ after Th. Stanesby, 1992; Voice Flute in d’ after Th. Stanesby, 1988
190. Verbruggen, Marion	Jacob van Eyck “Der Fluyten Lusthof” (Vol II) Harmonia Mundi HMU 907170 (1996)	“Ganassi” in c” & g’, ‘Rosenborg’ or van Eyck’ in c’’
191. Verbruggen, Marion & Anneke Boeke, (recorders), Aniko Horvath (harpsichord)	Recorder Duets of Three Centuries, Johann Kuhnau: Two Parties for Harpsichord White Label HRC 131 (1989)	?
192. Verbruggen, Marion (recorders), Mitzi Meyerson (harpsichord)	JS Bach Trio Sonatas, Harmonia Mundi HMU 907119 (1994)	BWV 525 – Alto in F after T. Stanesby, BWV 527 – Soprano recorder in C, after E. Terton, BWV 529 – Alto in f’ after J.C.Denner, BWV 530 – Alto recorder in f’ by Peter v.d. Poel after J.C. Denner, BWV 1031 -Voice flute by FM after J.C. Denner, Harpsichord by Joel Katzman, Asmterdam 1993 after Johanes Ruckers 1638
193. Verbruggen, Marion (recorders), Sarah Cunningham (gambe), Orchestra of the Age of Enlightenment (Monica Huggett)	Telemann “Le Plaisirs” Harmonia Mundi HMU 907093	Alto recorders (1978 and 1990) after Stanesby
194. Verbruggen, Marion and the Newberry Consort	!Ay Amore, Spanish Seventeenth Century Songs and Theatre Music Harmonia Mundi HMU 907022	?
195. Verbruggen, Marion and Trio Sonnerie	Bach, Bassano, Fontana, Marais. ASV CD GAU 113	Renaissance soprano after Ganassi, Renaissance G alto after Ganassi, Alto recorder after Stanesby, Soprano recorder after Terton
196. Verbruggen, Marion, recorders	Bach, 3 Suites. Harmonia Mundi HMU 907071	Alto recorder after Stanesby (1991), Voice Flute after Stanesby
197. Waterman, Rodney (recorders), Doug de Vries (guitar, cavaquinho)	Água & Vinho (Brazilian Contemporary, Original, Renaissance) Orpheus Music OM 201 (7/1998)	Voice Flute (unstained maple) in d’ A440 [E flat at A415] (1997), “Ganassi” in g’ (1980), and others by Yamaha and Zen-On
198. Waterman, Rodney (recorders), Doug de Vries (guitar, cavaquinho)	Água & Vinho (expanded re-release of 1998 Orpheus CD by ECM –with 18 mins extra music) CARMO (ECM, Germany) Carmo/14 (11/2000)	Voice Flute (unstained maple) in d’ A440 [E flat at A415] (1997), “Ganassi” in g’ (1980), and others by Yamaha and Zen-On
199. Wiener Blockfloetenensemble	Wiener Blockfloetenensemble (Brade, Glogauer Liederbuch, Senfl, Widmann; Praetorius; WBE Improvisation, van Eyck, Telemann, Berio, Haydn). Telefunken Teldec 6.42896 AG (1982) LP	Renaissance recorder consort by Bob Marvin; Terton soprano by von Huene; two Denner altos by FM; modern recorders by various makers
200. Wilkinson, Ruth (recorder), Linda Kent (harpsichord)	Music for the Countess of Sandwich (Complete suites for Voice Flute by Charles Dieupart – sonatas 5 & 6 harpsichord solo) Move MD 3161 (1995)	Voice Flute (maple)